| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
По разделу |
362726 | 1747 |
70 |
122 |
105 |
101 |
105 |
102 |
128 |
128 |
417 |
185 |
197 |
87 |
1 |
4 |
5 |
4 |
5 |
2 |
3 |
5 |
3 |
2 |
4 |
3 |
4 |
4 |
5 |
5 |
6 |
5 |
6 |
3 |
4 |
6 |
5 |
3 |
5 |
3 |
3 |
5 |
5 |
3 |
5 |
2 |
2 |
5 |
3 |
5 |
3 |
4 |
3 |
4 |
2 |
3 |
6 |
4 |
3 |
4 |
5 |
5 |
3 |
4 |
2 |
2 |
3 |
3 |
2 |
4 |
5 |
4 |
3 |
4 |
5 |
9 |
|
Графики Самары |
2578 | 656 |
36 |
83 |
58 |
50 |
46 |
47 |
63 |
56 |
56 |
51 |
52 |
58 |
0 |
4 |
5 |
1 |
5 |
0 |
3 |
1 |
2 |
1 |
4 |
0 |
2 |
0 |
1 |
4 |
1 |
2 |
3 |
3 |
0 |
6 |
4 |
2 |
5 |
1 |
2 |
5 |
4 |
0 |
5 |
0 |
1 |
5 |
2 |
5 |
3 |
4 |
1 |
3 |
0 |
0 |
3 |
2 |
1 |
4 |
3 |
5 |
1 |
4 |
0 |
1 |
3 |
3 |
0 |
1 |
5 |
0 |
0 |
1 |
5 |
9 |
|
Елена Титова.пленница красоты |
583 | 583 |
21 |
24 |
14 |
24 |
25 |
11 |
20 |
28 |
350 |
66 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
4 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Дина Богусонова. Амазонка неоабстракционизма |
3077 | 488 |
24 |
54 |
36 |
42 |
41 |
48 |
49 |
58 |
45 |
39 |
29 |
23 |
0 |
0 |
4 |
1 |
4 |
0 |
0 |
4 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
3 |
0 |
4 |
1 |
2 |
3 |
1 |
1 |
3 |
1 |
3 |
2 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
4 |
0 |
3 |
1 |
5 |
2 |
2 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
|
Кутяков Сергей. Династия Кутяковых. Простая история |
2189 | 443 |
33 |
40 |
33 |
31 |
36 |
31 |
51 |
46 |
45 |
42 |
31 |
24 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
4 |
2 |
4 |
2 |
5 |
0 |
3 |
1 |
2 |
3 |
3 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
|
Бакумов Вячеслав летописец нашей жизни |
401 | 401 |
19 |
20 |
12 |
20 |
23 |
10 |
30 |
26 |
33 |
69 |
139 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
|
Артур Фонвизин |
1279 | 321 |
21 |
33 |
25 |
28 |
24 |
19 |
34 |
31 |
37 |
27 |
26 |
16 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
5 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
2 |
|
Портрет семьи в советской живописи.20век |
1285 | 312 |
26 |
30 |
27 |
27 |
23 |
22 |
53 |
23 |
27 |
22 |
20 |
12 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
4 |
3 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
4 |
2 |
|
Самаринкина Алиса. Из чего же вырастают художники? |
2610 | 305 |
19 |
27 |
22 |
23 |
25 |
13 |
28 |
20 |
32 |
34 |
37 |
25 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
|
Горовых Ксения.Большая и малая жизнь в творчестве |
2146 | 304 |
23 |
33 |
23 |
25 |
21 |
17 |
27 |
40 |
29 |
27 |
26 |
13 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
3 |
3 |
3 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
5 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
4 |
|
Наталья Сюзева. Девичьи игры |
2551 | 288 |
21 |
34 |
27 |
24 |
25 |
22 |
27 |
19 |
27 |
28 |
20 |
14 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
|
Самарские графики. Живое наследие |
1421 | 287 |
9 |
30 |
17 |
20 |
15 |
9 |
36 |
25 |
40 |
30 |
37 |
19 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Художник Вадим Петрович Свешников |
676 | 285 |
12 |
29 |
30 |
27 |
20 |
21 |
23 |
23 |
30 |
25 |
28 |
17 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
|
Марко Грасси и его Персонажи |
3071 | 284 |
16 |
34 |
36 |
20 |
20 |
15 |
30 |
18 |
37 |
22 |
21 |
15 |
0 |
1 |
3 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
4 |
2 |
1 |
1 |
2 |
2 |
3 |
|
Рудольф Баранов и академическая живопись России |
2943 | 284 |
19 |
31 |
19 |
22 |
25 |
16 |
21 |
18 |
25 |
48 |
24 |
16 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
3 |
2 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
|
Виноградова Анна. Блеск национальной романтики |
1722 | 283 |
19 |
26 |
22 |
26 |
19 |
15 |
31 |
22 |
39 |
28 |
24 |
12 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
|
Городу модерна - Музей Модерна |
2431 | 280 |
20 |
29 |
21 |
19 |
22 |
15 |
27 |
24 |
33 |
34 |
25 |
11 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
5 |
2 |
1 |
1 |
0 |
1 |
2 |
5 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
|
Юрий Скачков |
1302 | 279 |
18 |
21 |
21 |
29 |
24 |
15 |
37 |
16 |
28 |
27 |
25 |
18 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
2 |
|
Карпунов Иван. Я всегда хотел быть художником |
2660 | 279 |
34 |
34 |
23 |
18 |
24 |
16 |
31 |
22 |
26 |
19 |
21 |
11 |
0 |
3 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
4 |
1 |
6 |
3 |
2 |
1 |
1 |
1 |
5 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
4 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
|
Маковские. Братья |
981 | 275 |
18 |
27 |
17 |
33 |
31 |
13 |
32 |
19 |
27 |
25 |
18 |
15 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
5 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
Дубровин Игорь Викторович |
274 | 274 |
11 |
29 |
27 |
18 |
12 |
16 |
18 |
66 |
77 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
3 |
3 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
4 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
|
Георгий Кикин.Женщины,подруги и ню |
1194 | 273 |
11 |
32 |
25 |
25 |
16 |
22 |
19 |
20 |
19 |
29 |
36 |
19 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
|
Альфред фон Вакано. Египетская и античная коллекции. Новые открытия |
834 | 272 |
12 |
30 |
12 |
26 |
21 |
19 |
38 |
17 |
28 |
27 |
28 |
14 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Западоевропейское искусство в собрании Сохм |
2437 | 271 |
9 |
26 |
14 |
20 |
26 |
18 |
31 |
20 |
38 |
27 |
22 |
20 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
|
Константин Коровин. Моцарт русской живописи |
2297 | 270 |
22 |
25 |
13 |
26 |
16 |
17 |
23 |
35 |
29 |
26 |
27 |
11 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Станислав Щеглов |
807 | 264 |
20 |
35 |
20 |
27 |
19 |
16 |
18 |
20 |
27 |
28 |
18 |
16 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
4 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
|
Евгений Чертыковцев. На тропе к образу |
1599 | 263 |
10 |
25 |
20 |
23 |
19 |
18 |
26 |
26 |
25 |
38 |
28 |
5 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
|
Карл Брюллов - наследие из Петербурга |
2002 | 262 |
17 |
22 |
11 |
21 |
26 |
14 |
30 |
17 |
33 |
35 |
26 |
10 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
4 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Свечников Владимир |
820 | 261 |
24 |
24 |
11 |
20 |
20 |
20 |
24 |
21 |
29 |
28 |
24 |
16 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
4 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Валентин Пурыгин. Мифы о художнике |
1912 | 259 |
12 |
21 |
19 |
19 |
28 |
8 |
22 |
22 |
41 |
32 |
22 |
13 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
|
Образ и время в советской живописи 30-х годов |
1568 | 259 |
18 |
24 |
14 |
19 |
21 |
19 |
27 |
22 |
26 |
19 |
33 |
17 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Панкратов Василий - портретист |
926 | 256 |
14 |
33 |
29 |
19 |
17 |
12 |
24 |
21 |
30 |
26 |
17 |
14 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
4 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
|
Карэн Саркисов |
2376 | 255 |
18 |
30 |
40 |
21 |
19 |
11 |
23 |
11 |
26 |
26 |
20 |
10 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
|
5.Людмила Петтоки. Рассказы музейного человечка |
851 | 249 |
11 |
32 |
19 |
20 |
14 |
14 |
25 |
22 |
25 |
27 |
24 |
16 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
|
Портрет семьи в русской живописи 18-19вв |
889 | 249 |
19 |
30 |
19 |
18 |
18 |
16 |
20 |
22 |
28 |
23 |
21 |
15 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
1 |
1 |
1 |
0 |
|
Сергей Цедилов - мастер книги |
1568 | 248 |
10 |
20 |
10 |
15 |
17 |
20 |
15 |
20 |
38 |
33 |
30 |
20 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Мария Бабич.Молодые голоса в стиле фьюжн |
1864 | 248 |
14 |
30 |
23 |
22 |
18 |
14 |
27 |
17 |
26 |
28 |
19 |
10 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
2 |
0 |
3 |
2 |
1 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
3 |
|
Японская гравюра |
1343 | 247 |
17 |
36 |
16 |
23 |
22 |
16 |
21 |
19 |
22 |
24 |
18 |
13 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
6 |
1 |
4 |
1 |
4 |
2 |
1 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
|
Дневник влюбленного предпринимателя |
2895 | 246 |
20 |
28 |
18 |
21 |
15 |
16 |
32 |
21 |
21 |
25 |
20 |
9 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
|
Левитан и его современники |
1261 | 245 |
8 |
24 |
17 |
21 |
19 |
19 |
29 |
17 |
31 |
23 |
29 |
8 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
От утопии до игры.Новые поступления авангарда в Сохм |
1614 | 244 |
10 |
27 |
16 |
14 |
17 |
12 |
28 |
15 |
30 |
54 |
14 |
7 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
|
Иван Комиссаров.Красота и восторг как необходимость для художника |
2731 | 244 |
19 |
25 |
12 |
22 |
21 |
13 |
28 |
24 |
27 |
23 |
24 |
6 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
|
Дмитрий Мантров.Теплая выставка в холодный сезон |
1318 | 244 |
9 |
27 |
22 |
20 |
21 |
14 |
31 |
18 |
24 |
28 |
20 |
10 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
3 |
0 |
|
Аннэта Басс. Музей как смысл жизни |
762 | 243 |
21 |
18 |
13 |
20 |
24 |
11 |
37 |
19 |
22 |
28 |
21 |
9 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
4 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
|
Палех. Маленькие шедевры |
1659 | 243 |
15 |
26 |
17 |
22 |
18 |
13 |
20 |
21 |
24 |
28 |
24 |
15 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
4 |
2 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
|
Александр Шуринов, Андрей Иноземцев. Под одним небом |
2576 | 243 |
14 |
25 |
22 |
29 |
19 |
14 |
23 |
20 |
28 |
20 |
23 |
6 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
|
Кустодиев.Наследие художника в живописи,графике и фотографии |
1031 | 242 |
15 |
29 |
13 |
30 |
23 |
21 |
22 |
22 |
19 |
27 |
14 |
7 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Юрий Маланенков.Зима, весна, лето, осень - четыре времени года или - дороги России |
2089 | 242 |
19 |
20 |
22 |
23 |
17 |
16 |
19 |
18 |
27 |
25 |
26 |
10 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
|
Уильям Хогарт -основатель английской живописи |
1967 | 241 |
9 |
21 |
19 |
27 |
21 |
13 |
23 |
17 |
27 |
30 |
20 |
14 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
|
Попов Алексей (1955 -2013).Прекрасно небо голубое |
2374 | 241 |
20 |
31 |
13 |
18 |
18 |
18 |
21 |
15 |
26 |
31 |
22 |
8 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Арнольд Лаховский.Наследие Эмигранта |
2225 | 240 |
21 |
19 |
15 |
26 |
18 |
15 |
19 |
16 |
28 |
29 |
24 |
10 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
|
Н.Какошкина и В. Рябцев. Уходящая натура |
1983 | 239 |
21 |
24 |
18 |
20 |
20 |
12 |
20 |
19 |
30 |
28 |
18 |
9 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
|
Ю.И.Филиппов художник - жизнелюб |
1532 | 238 |
14 |
21 |
17 |
18 |
21 |
12 |
14 |
20 |
31 |
34 |
25 |
11 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
|
В.Пентюх и Н.Непьянова.Образ Отечества |
2096 | 237 |
14 |
26 |
18 |
18 |
19 |
10 |
21 |
24 |
28 |
27 |
22 |
10 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
|
Художники к 70-летию Победы. Выставка.Память, ставшая далекой тенью в новой весне |
1950 | 236 |
14 |
36 |
20 |
23 |
19 |
11 |
19 |
18 |
23 |
24 |
22 |
7 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
4 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
|
Рерих и его держава на долгую память |
1852 | 236 |
17 |
23 |
27 |
25 |
16 |
17 |
17 |
16 |
27 |
24 |
19 |
8 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
3 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
5 |
0 |
|
Семейные ценности из Росизо |
1418 | 235 |
13 |
24 |
20 |
19 |
19 |
11 |
12 |
12 |
33 |
55 |
12 |
5 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
1 |
|
Южанин Сергей |
338 | 235 |
10 |
28 |
18 |
10 |
16 |
14 |
19 |
22 |
40 |
21 |
27 |
10 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
|
Станислав Федоров. Графика |
1274 | 235 |
15 |
30 |
25 |
19 |
20 |
10 |
31 |
18 |
22 |
21 |
14 |
10 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
|
Галина Лемкова.Время города, мгновенья хайку |
2100 | 235 |
17 |
27 |
21 |
31 |
26 |
12 |
16 |
15 |
26 |
19 |
17 |
8 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
Павел Филонов и его механика Вселенной |
1548 | 235 |
6 |
24 |
14 |
25 |
22 |
15 |
32 |
17 |
30 |
21 |
19 |
10 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
|
Кулебакин Николай |
679 | 234 |
9 |
23 |
14 |
19 |
26 |
12 |
19 |
12 |
30 |
30 |
23 |
17 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
4 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Время волшебников, кукольники |
2458 | 234 |
11 |
29 |
16 |
18 |
19 |
10 |
29 |
21 |
25 |
26 |
23 |
7 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
|
Валентин Белоусов. Творчество |
3211 | 233 |
11 |
25 |
10 |
19 |
18 |
13 |
28 |
20 |
23 |
31 |
19 |
16 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Женя Бабушкин.Пыльные цветы |
2222 | 233 |
17 |
32 |
25 |
20 |
21 |
12 |
20 |
17 |
19 |
23 |
15 |
12 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
|
Арон Бух. главное его достижение - свобода |
1152 | 233 |
23 |
20 |
16 |
21 |
26 |
11 |
17 |
13 |
31 |
26 |
21 |
8 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
4 |
4 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
|
Татьяна Пудова. Новые технологии в творчестве художников |
1819 | 233 |
16 |
16 |
13 |
23 |
20 |
12 |
23 |
17 |
28 |
28 |
23 |
14 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
|
Игорь Петров Гений места |
1704 | 232 |
21 |
24 |
16 |
22 |
19 |
13 |
29 |
15 |
21 |
24 |
18 |
10 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
5 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
|
6. Василий Ващенко. Рассказы музейного человечка |
917 | 229 |
18 |
24 |
16 |
17 |
20 |
12 |
20 |
19 |
23 |
21 |
22 |
17 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
4 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Заметки о романе. Эрих Мария Ремарк. Ночь в Лиссабоне |
2127 | 229 |
10 |
29 |
21 |
21 |
21 |
14 |
20 |
22 |
21 |
23 |
21 |
6 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
2 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
|
Борис Иевлев.Живопись мазками |
1491 | 229 |
13 |
24 |
16 |
22 |
16 |
12 |
22 |
19 |
23 |
25 |
22 |
15 |
0 |
3 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
|
Виктор Норкин и его Вантастическая живопись |
2240 | 228 |
13 |
25 |
16 |
21 |
18 |
12 |
24 |
19 |
26 |
21 |
21 |
12 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
|
Нижегородский художественный музей и его шедевры |
779 | 227 |
16 |
22 |
20 |
18 |
14 |
9 |
25 |
16 |
21 |
27 |
20 |
19 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Острецов Анатолий -художник наблюдатель |
2161 | 227 |
19 |
25 |
20 |
21 |
20 |
12 |
17 |
16 |
20 |
26 |
20 |
11 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Коновалов Ген Гри -художник 20 века |
1884 | 226 |
17 |
24 |
14 |
20 |
22 |
11 |
19 |
17 |
21 |
24 |
24 |
13 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
5 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
|
Запечатленное время в мировоззрении поколения семидесятых |
2081 | 226 |
10 |
21 |
10 |
12 |
23 |
12 |
24 |
19 |
24 |
37 |
22 |
12 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
|
Ковалева Дина и ее теория Красоты |
826 | 226 |
23 |
31 |
15 |
17 |
12 |
16 |
21 |
17 |
24 |
24 |
17 |
9 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
4 |
2 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
|
Лариса Кондратова. Валяние не Валенков |
2434 | 225 |
20 |
26 |
23 |
21 |
18 |
10 |
19 |
16 |
22 |
26 |
14 |
10 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
4 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
2 |
|
Оттепель 60х в искусстве.Все оттенки оттепели |
1745 | 225 |
15 |
23 |
15 |
16 |
13 |
18 |
31 |
17 |
26 |
21 |
21 |
9 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
|
Дмитрий Кондратьев |
1291 | 225 |
12 |
27 |
17 |
24 |
16 |
14 |
22 |
15 |
24 |
28 |
16 |
10 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
Шульпин Михаил. Образ Венеции для России |
2204 | 225 |
13 |
21 |
16 |
17 |
19 |
17 |
18 |
22 |
26 |
28 |
20 |
8 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Самаринкин,панидов,щеглов,андреев.Четыре поколения |
1480 | 225 |
18 |
19 |
13 |
20 |
23 |
13 |
18 |
17 |
23 |
35 |
15 |
11 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
|
Солдат Победы. История жизни |
2569 | 225 |
12 |
22 |
14 |
22 |
21 |
11 |
26 |
17 |
21 |
24 |
24 |
11 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Андреев Юрий. Найди себе учителя и приобрети друга |
2167 | 224 |
10 |
23 |
15 |
14 |
18 |
16 |
29 |
23 |
25 |
20 |
19 |
12 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
|
Вадим Сушко.Я люблю судьбу свою |
2673 | 224 |
20 |
34 |
8 |
15 |
19 |
11 |
19 |
15 |
34 |
17 |
21 |
11 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
5 |
2 |
3 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Сон в осеннюю ночь |
2393 | 224 |
11 |
32 |
18 |
28 |
19 |
12 |
30 |
13 |
17 |
23 |
14 |
7 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
5 |
3 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
|
2. Рассказы музейного человечка. А.Я.Басс.Портрет в музейном интерьере |
2184 | 224 |
24 |
27 |
15 |
19 |
20 |
10 |
15 |
24 |
22 |
30 |
11 |
7 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
4 |
3 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
|
Анна Голубкина - русский гений |
767 | 224 |
19 |
28 |
19 |
22 |
13 |
12 |
24 |
16 |
23 |
20 |
19 |
9 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
4 |
0 |
1 |
0 |
1 |
2 |
3 |
3 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
|
Рецензия на книгу Вудхауса "Любовь со взломом |
1974 | 223 |
16 |
32 |
24 |
17 |
17 |
8 |
34 |
16 |
18 |
22 |
15 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
3 |
2 |
0 |
2 |
3 |
2 |
0 |
2 |
2 |
0 |
1 |
5 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
|
Рецензия на книгу Эдуарда Кочергина "Ангелова кукла" |
2187 | 223 |
12 |
20 |
15 |
23 |
20 |
17 |
16 |
17 |
33 |
22 |
21 |
7 |
0 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
|
Геннадий Филатов.Мастер видового пейзажа |
1289 | 222 |
22 |
25 |
13 |
18 |
14 |
12 |
12 |
19 |
27 |
23 |
22 |
15 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
3 |
3 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Рассказы из прошлого века |
2512 | 222 |
17 |
18 |
10 |
29 |
25 |
14 |
24 |
18 |
24 |
21 |
13 |
9 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Лариса и Валерий Блохины. Запад и Восток в творчестве |
1631 | 222 |
9 |
26 |
13 |
27 |
22 |
16 |
17 |
16 |
23 |
23 |
19 |
11 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Эрбштейн Борис. Часть первая |
726 | 221 |
11 |
32 |
15 |
17 |
23 |
12 |
26 |
16 |
20 |
20 |
20 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
3 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
|
Олег Рамодин -творец сказочной вселенной |
2161 | 221 |
11 |
25 |
17 |
21 |
17 |
7 |
15 |
19 |
29 |
31 |
20 |
9 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
|
Художники Казахстана.Лицо невесты из Великой степи |
1950 | 221 |
18 |
33 |
19 |
21 |
16 |
17 |
16 |
18 |
17 |
18 |
19 |
9 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
4 |
5 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
|
Юлия Кузнецова ее пленэрная живопись |
1881 | 221 |
14 |
15 |
12 |
21 |
14 |
12 |
28 |
17 |
31 |
29 |
20 |
8 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
|
Выставка.Лицо старого дома.Самара |
1670 | 220 |
15 |
30 |
17 |
17 |
15 |
10 |
12 |
17 |
29 |
36 |
13 |
9 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
1 |
3 |
3 |
1 |
2 |
0 |
1 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
1 |
|
Наталья Шепелева. Мастер детского портрета |
1944 | 220 |
20 |
33 |
29 |
14 |
20 |
9 |
11 |
13 |
24 |
18 |
20 |
9 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
3 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
|
Передвижники и портретный жанр |
709 | 220 |
14 |
28 |
15 |
12 |
17 |
11 |
29 |
15 |
20 |
17 |
30 |
12 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
5 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
Любовь Пархоменко."Вдохновение" Из Москвы в Самару |
1838 | 220 |
19 |
26 |
20 |
23 |
14 |
10 |
16 |
18 |
22 |
23 |
21 |
8 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
|
Народное искусство и его новая жизнь |
1386 | 220 |
10 |
32 |
17 |
21 |
20 |
10 |
24 |
17 |
27 |
20 |
17 |
5 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
3 |
1 |
5 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
|
В Лабиринте книжной иллюстрации |
2055 | 219 |
19 |
21 |
15 |
21 |
17 |
11 |
24 |
18 |
19 |
26 |
17 |
11 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
|
Вилковы.На нашей маленькой земле |
2300 | 219 |
11 |
26 |
18 |
24 |
14 |
9 |
19 |
21 |
23 |
24 |
17 |
13 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
|
Рецензии на книги Карлоса Руиса Сафона "Тень ветра" и " Игра Ангела" |
2555 | 219 |
15 |
25 |
15 |
26 |
18 |
16 |
19 |
13 |
24 |
20 |
15 |
13 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
|
Валентина Крушинина.Своя тема |
1703 | 219 |
14 |
30 |
18 |
25 |
15 |
10 |
18 |
15 |
27 |
22 |
17 |
8 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
|
О чем молчат куклы. Третья кукольная выставка |
1853 | 219 |
19 |
20 |
15 |
14 |
19 |
10 |
25 |
19 |
22 |
25 |
20 |
11 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Концептуалисты. Увидели и живем,или повидали и оживились |
1802 | 218 |
13 |
31 |
22 |
20 |
17 |
12 |
16 |
19 |
21 |
20 |
19 |
8 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
|
Маргарита Бортникова. Кружево |
2142 | 218 |
16 |
25 |
15 |
23 |
21 |
7 |
28 |
16 |
19 |
22 |
20 |
6 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
4 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
1 |
2 |
2 |
|
Андрей Бодров -мастер сухой иглы |
1746 | 216 |
12 |
29 |
21 |
20 |
18 |
7 |
19 |
10 |
32 |
25 |
13 |
10 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
|
Восток в Сохм |
1705 | 215 |
12 |
18 |
13 |
24 |
25 |
14 |
19 |
17 |
25 |
22 |
15 |
11 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Самарские мечтатели или новое на Арт-рынке Самары |
2273 | 215 |
11 |
24 |
14 |
13 |
23 |
13 |
21 |
15 |
29 |
19 |
22 |
11 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Три рассказа о грустном Фане |
2078 | 214 |
12 |
30 |
20 |
22 |
16 |
13 |
23 |
20 |
16 |
17 |
17 |
8 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
|
Михаил Нестеров.Внутренняя жизнь и красота духа |
2131 | 214 |
9 |
19 |
21 |
19 |
15 |
8 |
33 |
17 |
29 |
21 |
13 |
10 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
1 |
3 |
|
Иван Карпунов.Как я позировала художнику |
996 | 214 |
16 |
25 |
21 |
16 |
17 |
22 |
9 |
31 |
15 |
17 |
19 |
6 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
4 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
4 |
1 |
|
Интерьерно - предметная среда первой половины 20 века в прозе Алексея Толстого, как образ времени |
2029 | 214 |
22 |
17 |
13 |
22 |
15 |
15 |
18 |
15 |
25 |
24 |
18 |
10 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
2 |
4 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Е.Поленова и М.Якунчикова творительницы красоты |
542 | 213 |
15 |
21 |
14 |
20 |
22 |
10 |
16 |
19 |
21 |
23 |
23 |
9 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
6 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Владимир Романов.Портреты и акварели |
1196 | 213 |
15 |
20 |
12 |
19 |
21 |
10 |
20 |
15 |
26 |
26 |
19 |
10 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
|
1. Чернова Валентина.Пленники искусства |
2631 | 213 |
15 |
24 |
16 |
16 |
18 |
15 |
17 |
18 |
24 |
25 |
17 |
8 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
|
В.Башкиров. Нестареющая Природа в его живописи |
1909 | 213 |
16 |
18 |
11 |
18 |
17 |
12 |
20 |
22 |
27 |
22 |
19 |
11 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
Выставка Ильи Репина.Удовольствие для просвещенного зрителя |
2081 | 213 |
12 |
24 |
18 |
19 |
17 |
11 |
28 |
22 |
17 |
20 |
16 |
9 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
|
Альфред фон Вакано. Его музей |
630 | 212 |
19 |
24 |
16 |
13 |
18 |
13 |
18 |
16 |
28 |
22 |
15 |
10 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
4 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Обзор выставок ноября 2016 |
1552 | 212 |
15 |
17 |
12 |
19 |
19 |
10 |
34 |
17 |
20 |
24 |
18 |
7 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
|
По закону племени |
2143 | 211 |
12 |
30 |
13 |
18 |
20 |
12 |
18 |
18 |
23 |
23 |
18 |
6 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Дхш им Марка Шагала -30 лет |
794 | 211 |
9 |
23 |
17 |
15 |
17 |
15 |
18 |
18 |
26 |
27 |
16 |
10 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
|
Альфред фон Вакано.Путешествие в Японию начинается |
561 | 211 |
13 |
23 |
14 |
18 |
16 |
10 |
25 |
20 |
19 |
22 |
22 |
9 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
|
Летние вернисажи |
1755 | 210 |
8 |
28 |
19 |
20 |
19 |
14 |
15 |
19 |
24 |
21 |
16 |
7 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
4 |
0 |
|
Корнелия Функе.Волшебные сказки для взрослых" |
2344 | 210 |
12 |
21 |
16 |
21 |
19 |
9 |
11 |
18 |
28 |
24 |
25 |
6 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
|
Передвижники и бытовой жанр |
618 | 210 |
11 |
26 |
13 |
12 |
17 |
12 |
15 |
17 |
26 |
25 |
23 |
13 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
4 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
|
Тольятти.Союз художников |
552 | 210 |
16 |
22 |
22 |
14 |
21 |
14 |
18 |
16 |
20 |
19 |
18 |
10 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
|
Егорова Любовь. Творчество под знаком воздуха и потока |
1015 | 210 |
14 |
23 |
20 |
21 |
16 |
7 |
17 |
18 |
25 |
21 |
17 |
11 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
|
Гобелены - славное ремесло из старого Парижа |
2809 | 210 |
12 |
29 |
15 |
17 |
16 |
11 |
22 |
22 |
21 |
18 |
17 |
10 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
4 |
2 |
0 |
1 |
1 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
|
1. Рассказы музейного человечка. Дом, где прирастают сердцем |
1769 | 209 |
10 |
25 |
13 |
21 |
18 |
11 |
14 |
18 |
20 |
27 |
19 |
13 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
|
Станислав Федоров |
1497 | 208 |
14 |
19 |
19 |
18 |
25 |
10 |
17 |
15 |
23 |
23 |
18 |
7 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
|
Юферев Геннадий |
584 | 208 |
12 |
25 |
15 |
14 |
19 |
11 |
13 |
17 |
23 |
23 |
22 |
14 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
|
Гений ар- деко. Эрте |
1075 | 207 |
16 |
28 |
15 |
21 |
18 |
10 |
16 |
18 |
22 |
18 |
18 |
7 |
0 |
2 |
3 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Самара в творчестве семидесятников |
2467 | 207 |
12 |
25 |
13 |
13 |
19 |
16 |
28 |
14 |
22 |
19 |
18 |
8 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
|
Дина Богусонова мастер эмали |
503 | 207 |
13 |
28 |
21 |
18 |
15 |
13 |
16 |
17 |
19 |
25 |
14 |
8 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
|
Валерий Самаринкин.Дорога к храму |
592 | 207 |
7 |
18 |
15 |
15 |
20 |
9 |
26 |
18 |
25 |
23 |
20 |
11 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Тумпуров Александр. Пейзаж как основная тема в русской живописи |
2009 | 206 |
17 |
20 |
16 |
17 |
17 |
9 |
17 |
15 |
27 |
20 |
21 |
10 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
Любить жизнь глазами Виктора Новокрещенова |
2944 | 206 |
11 |
19 |
15 |
19 |
23 |
10 |
15 |
13 |
24 |
23 |
21 |
13 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Выставка к 100 -летию революции |
1291 | 206 |
17 |
24 |
11 |
20 |
20 |
12 |
13 |
17 |
22 |
23 |
15 |
12 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
3 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Обзор выставок в Самаре. Экспозиция это? |
2020 | 205 |
8 |
25 |
15 |
23 |
16 |
14 |
22 |
20 |
22 |
19 |
13 |
8 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Портретная галерея "Сыны Отечества" |
2355 | 205 |
15 |
21 |
11 |
19 |
17 |
13 |
20 |
15 |
26 |
25 |
17 |
6 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
|
3. Рассказы музейного человечка. Музейные служители - музейные домовые,вахтенные матросы |
2520 | 205 |
13 |
21 |
16 |
19 |
21 |
11 |
25 |
16 |
16 |
23 |
15 |
9 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
5 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
4 |
0 |
|
Что собирают в Самаре |
2210 | 205 |
17 |
25 |
11 |
19 |
17 |
11 |
24 |
15 |
19 |
24 |
14 |
9 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
3 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
|
2. Чернова Валентина. В мастерской художника |
2238 | 204 |
14 |
32 |
25 |
16 |
14 |
11 |
13 |
16 |
24 |
17 |
14 |
8 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
5 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
2 |
|
Соцреализм. Долой тихие пейзажики,уснувшие прудики |
2297 | 204 |
14 |
28 |
25 |
13 |
12 |
10 |
20 |
13 |
23 |
21 |
13 |
12 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
|
Альфред фон Вакано. Саркофаг из египетской коллекции |
577 | 204 |
11 |
24 |
19 |
15 |
17 |
13 |
16 |
15 |
21 |
27 |
17 |
9 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
|
Сергей Шнуров про брендреализм |
1200 | 204 |
8 |
23 |
9 |
17 |
14 |
16 |
24 |
14 |
29 |
22 |
17 |
11 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
|
Бородачев Юрий Петрович. Вспоминая современника |
1075 | 203 |
16 |
18 |
15 |
18 |
14 |
13 |
14 |
23 |
21 |
23 |
17 |
11 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Выставка.Краски Солнцеворота |
1762 | 203 |
19 |
20 |
10 |
20 |
17 |
15 |
18 |
15 |
23 |
21 |
19 |
6 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
|
Европейские фаянсы 18 века в собрании Сохм |
1841 | 203 |
14 |
18 |
17 |
21 |
21 |
12 |
18 |
19 |
21 |
21 |
14 |
7 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
|
Владимир Булеков.Экспрессивный портрет художника |
482 | 203 |
12 |
22 |
18 |
22 |
24 |
9 |
20 |
9 |
19 |
20 |
17 |
11 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
|
Бойчукисты в Самаре |
2342 | 202 |
8 |
28 |
19 |
16 |
14 |
9 |
11 |
16 |
30 |
22 |
20 |
9 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
|
Рецензия на книгу Анны Коростелевой. "Цветы корицы и аромат сливы" |
1702 | 202 |
17 |
23 |
13 |
20 |
17 |
11 |
25 |
16 |
17 |
22 |
13 |
8 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
4 |
4 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Информация о владельце раздела |
2127 | 202 |
6 |
25 |
16 |
22 |
20 |
11 |
11 |
16 |
22 |
19 |
23 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
4 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Самарский художественный музей. Дары |
1144 | 202 |
18 |
23 |
17 |
19 |
15 |
12 |
14 |
20 |
20 |
17 |
17 |
10 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
|
Туман Жумабаев. Свет старой Самары |
2135 | 202 |
22 |
22 |
12 |
16 |
15 |
14 |
16 |
16 |
23 |
20 |
18 |
8 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
0 |
3 |
3 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
|
Хохлова Наталья |
463 | 201 |
13 |
26 |
18 |
17 |
16 |
6 |
23 |
20 |
21 |
18 |
15 |
8 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
5 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
Рецензия на книгу Дэниэля Пеннака "Почти роман" |
1753 | 201 |
8 |
22 |
19 |
23 |
13 |
14 |
11 |
19 |
18 |
23 |
21 |
10 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
|
Юрий Филиппов. Паломники в Древнюю Русь |
1723 | 201 |
16 |
16 |
19 |
16 |
13 |
10 |
26 |
15 |
23 |
21 |
18 |
8 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
|
Юлия Кузнецова.Игры Солнца и теней |
1604 | 200 |
13 |
18 |
11 |
16 |
17 |
9 |
15 |
15 |
26 |
26 |
18 |
16 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Елена Макеева. Стремительная живопись |
2234 | 200 |
9 |
27 |
19 |
17 |
16 |
10 |
14 |
14 |
23 |
24 |
21 |
6 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
|
3.Чернова Валентина.Еще три портрета |
1903 | 199 |
15 |
21 |
21 |
16 |
19 |
5 |
25 |
15 |
19 |
16 |
15 |
12 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
|
Мальвы самарского кэмпа |
2749 | 199 |
18 |
25 |
14 |
16 |
21 |
11 |
14 |
15 |
21 |
22 |
16 |
6 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
3 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Самарские амазонки в интерьере цветущего папорпотника |
1526 | 199 |
13 |
20 |
18 |
14 |
17 |
9 |
22 |
17 |
19 |
25 |
17 |
8 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
|
Счастливый мир детства в зеркале русской живописи |
3653 | 198 |
15 |
24 |
14 |
15 |
12 |
15 |
22 |
16 |
23 |
19 |
15 |
8 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
|
Рецензия на серию книг Артема Каменистого - "Девятый" |
1861 | 197 |
19 |
19 |
11 |
13 |
15 |
12 |
13 |
28 |
19 |
21 |
18 |
9 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
3 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Цыганская рапсодия |
1970 | 197 |
8 |
28 |
19 |
21 |
15 |
12 |
13 |
15 |
22 |
22 |
16 |
6 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
3 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
|
Зураб Церетели. Мелодии Грузии |
1602 | 197 |
11 |
28 |
18 |
15 |
17 |
7 |
11 |
17 |
20 |
27 |
18 |
8 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
|
Многообразие фактур и таинство стиля |
2130 | 196 |
10 |
28 |
15 |
16 |
20 |
11 |
12 |
17 |
19 |
25 |
15 |
8 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
|
Евгений Штыров.По дорогам Древней Руси |
966 | 196 |
10 |
29 |
18 |
14 |
13 |
10 |
11 |
24 |
18 |
22 |
17 |
10 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Виктор Новокрещенов. Гуляй, Ванюша! О живописно-эстетическом кредо |
2195 | 195 |
12 |
26 |
16 |
19 |
17 |
8 |
12 |
11 |
25 |
24 |
17 |
8 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
|
Кукольный марш |
2160 | 195 |
11 |
24 |
11 |
21 |
17 |
11 |
15 |
13 |
23 |
19 |
18 |
12 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
0 |
|
Рецензия на книгу Артуро Переса-Реверте "Осада,или Шахматы со смертью" |
1742 | 195 |
9 |
29 |
17 |
17 |
19 |
11 |
8 |
20 |
21 |
18 |
18 |
8 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
|
Рецензия на книгу Аркадия Ипполитова "Вчера,сегодня,навсегда" |
2050 | 195 |
14 |
27 |
11 |
15 |
20 |
10 |
14 |
15 |
25 |
18 |
19 |
7 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
4 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
|
Три выставки. Вернисажи ноября 2019 |
871 | 194 |
24 |
22 |
7 |
14 |
13 |
14 |
23 |
18 |
21 |
14 |
13 |
11 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
5 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Николай Вдовкин и Ирина Елизарова.Эмали |
1972 | 194 |
14 |
23 |
12 |
20 |
15 |
9 |
15 |
14 |
29 |
17 |
17 |
9 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
|
Мысли вслух в технике гобелена |
1337 | 193 |
20 |
21 |
15 |
17 |
12 |
8 |
20 |
19 |
19 |
21 |
15 |
6 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
5 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
Грани 20 века |
1457 | 192 |
15 |
25 |
15 |
15 |
13 |
10 |
22 |
12 |
19 |
23 |
11 |
12 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
|
Осенние вернисажи 2016 |
1586 | 191 |
15 |
27 |
9 |
17 |
13 |
8 |
24 |
15 |
21 |
19 |
17 |
6 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
|
С любовью из Крыма". Выставка |
1960 | 191 |
17 |
22 |
11 |
15 |
16 |
7 |
17 |
17 |
27 |
19 |
16 |
7 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
5 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Все краски весенней выставки |
1334 | 190 |
10 |
24 |
15 |
17 |
15 |
16 |
22 |
12 |
20 |
18 |
13 |
8 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
|
В.Герасимов -монументалист,живописец,график |
1555 | 190 |
6 |
20 |
13 |
18 |
17 |
14 |
13 |
23 |
19 |
24 |
15 |
8 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
|
Елена Макеева,наталья Суботина. Жизнь и жизнеподобие в произведениях живописи |
2042 | 190 |
8 |
19 |
11 |
14 |
19 |
13 |
11 |
18 |
26 |
21 |
20 |
10 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Акварель -хорошая девка |
2131 | 190 |
15 |
22 |
17 |
14 |
14 |
11 |
14 |
16 |
17 |
27 |
15 |
8 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
|
За кулисами театра |
1696 | 190 |
7 |
24 |
31 |
15 |
16 |
6 |
10 |
16 |
22 |
21 |
16 |
6 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
2 |
1 |
2 |
2 |
1 |
|
4. Рассказы музейного человечка. Похищение Курильщиков |
2021 | 188 |
9 |
23 |
14 |
18 |
15 |
11 |
22 |
18 |
15 |
22 |
13 |
8 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Чернова Валентина. Итоги |
1834 | 188 |
10 |
34 |
15 |
19 |
17 |
6 |
14 |
16 |
16 |
16 |
19 |
6 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
|
Мужская гостиная в Музее Модерна |
1879 | 188 |
12 |
18 |
14 |
18 |
19 |
11 |
17 |
14 |
18 |
20 |
17 |
10 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
|
Карнавал в искусстве. Посвящение |
1370 | 187 |
8 |
23 |
12 |
23 |
13 |
8 |
16 |
18 |
21 |
22 |
15 |
8 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Посвящается Франции |
1952 | 187 |
9 |
28 |
21 |
15 |
20 |
7 |
13 |
14 |
27 |
12 |
13 |
8 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
4 |
1 |
|
Виктор Новокрещенов,музыка,воплощенная в красках |
674 | 187 |
8 |
24 |
11 |
13 |
18 |
12 |
22 |
18 |
20 |
21 |
14 |
6 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
|
Степан Эрьзя - русский Роден ? |
2797 | 186 |
10 |
21 |
23 |
16 |
16 |
6 |
10 |
19 |
20 |
19 |
19 |
7 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
|
Иван Айвазовский. Среди стихий |
2119 | 186 |
16 |
19 |
15 |
16 |
13 |
11 |
13 |
17 |
24 |
22 |
14 |
6 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
|
Аромат сластей над садами |
2125 | 185 |
10 |
23 |
16 |
19 |
17 |
11 |
12 |
15 |
20 |
19 |
15 |
8 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
|
Художественное образование в Самаре |
826 | 184 |
7 |
26 |
8 |
16 |
18 |
6 |
19 |
15 |
22 |
15 |
21 |
11 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
4 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Дина Богусонова.Эмали |
795 | 184 |
9 |
25 |
11 |
14 |
20 |
9 |
15 |
15 |
19 |
21 |
16 |
10 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
|
100 картин из Оренбурга для Самары |
2082 | 182 |
16 |
17 |
14 |
13 |
12 |
6 |
15 |
17 |
19 |
19 |
26 |
8 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
Илья Репин, наше все? |
1897 | 182 |
13 |
21 |
14 |
19 |
14 |
8 |
12 |
17 |
19 |
19 |
20 |
6 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
3 |
|
Шепелева Наталья.Цели и грезы |
528 | 180 |
15 |
20 |
11 |
15 |
14 |
8 |
20 |
14 |
19 |
20 |
16 |
8 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
|
Восточный десерт |
2175 | 180 |
18 |
23 |
18 |
13 |
16 |
11 |
11 |
14 |
21 |
16 |
13 |
6 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
3 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
|
25 лет Дкг. Для взрослых, которые были детьми, и для детей, которые обязательно будут взрослыми |
1689 | 179 |
15 |
20 |
11 |
14 |
13 |
6 |
23 |
16 |
22 |
20 |
13 |
6 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
|
Эрбштейн Борис.Часть вторая |
577 | 179 |
8 |
25 |
12 |
10 |
12 |
9 |
13 |
13 |
27 |
18 |
20 |
12 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Передвижники |
589 | 178 |
7 |
24 |
16 |
12 |
16 |
10 |
16 |
12 |
26 |
20 |
12 |
7 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
|
Рецензия на книгу Хайнлайна "Неприятная профессия Джонатана Хогана" |
1628 | 177 |
15 |
19 |
11 |
8 |
17 |
11 |
11 |
17 |
31 |
15 |
16 |
6 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Великие модернисты. Взгляд Artmedia Plei |
1696 | 173 |
8 |
21 |
16 |
19 |
18 |
8 |
13 |
13 |
17 |
19 |
16 |
5 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
|
Сад ее глазами ,и сад тот -райская страна |
1782 | 173 |
10 |
19 |
16 |
14 |
14 |
9 |
20 |
13 |
17 |
18 |
17 |
6 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Кукольная страна |
2616 | 170 |
17 |
25 |
11 |
11 |
17 |
7 |
7 |
17 |
19 |
19 |
14 |
6 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
4 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Волжский самовар в экзистенциальных поисках |
1031 | 169 |
13 |
17 |
19 |
11 |
12 |
6 |
10 |
13 |
21 |
21 |
18 |
8 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
|
Куклы из особняка Клодта. Самара |
1647 | 168 |
15 |
21 |
13 |
14 |
16 |
7 |
9 |
14 |
19 |
16 |
17 |
7 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
|
Свет живописи старых мастеров |
1338 | 166 |
6 |
25 |
7 |
17 |
15 |
7 |
10 |
18 |
23 |
18 |
13 |
7 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Евгений Казнин |
0 | 0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Сливкова Анна |
0 | 0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |